Wednesday evening at Store Vega was not a typical pop concert. It was a study in intentionality. Finneas, the Grammy-winning producer and artist, curated a set that was defined not by spectacle, but by tone, tact, and intimacy.
Gone were the elaborate set pieces. Instead, a sparse stage and a tight ensemble let the music — and moments — speak. Whether at the piano or with guitar in hand, Finneas shifted fluidly between casual intimacy and refined composition.
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What distinguished this performance was not technical perfection (though it was present), but its improvisational spirit.
Finneas’ ability to pause, tell half-formed stories, tease bandmates, and riff gently with audience members created an atmosphere of shared space.
Songs like “Angel” foregrounded his singer-songwriter roots, while “Family Feud” offered emotional contour and intertextual homage — the Beatles inspiration unmistakable but respectfully folded into his own soundscape.
Thematically, “The Kids Are All Dying” stood out for its post-pandemic urgency — a protest-pop piece performed with tight groove and lyrical poignancy. And “For Cryin’ Out Loud!”, the closer, embodied the show’s overall shape: earnest, fluid, and well-constructed.
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While fans speculated whether Billie might join her brother on stage — having just completed two Royal Arena shows — her absence didn’t diminish the night. Rather, it reinforced Finneas’ identity as a compelling solo artist, capable of holding space entirely on his own.
